RPGs com liberdade de escolha e consequências para o jogador

Highlights

• Role-playing games seek to give the player freedom, but aim to present completely realistic worlds, creating more immersive experiences.
• Games like Mount & Blade 2: Bannerlord offer a wide range of lifestyle options without forcing players to follow pre-determined paths.
• Baldur's Gate 3 delivers a D&D-like experience with countless new buildings, challenges, and deep consequences, creating a new father of the genre.

Ever since the first computer games were created on the early machines of various colleges in the United States during the 1970s, designers, artists, and programmers have aspired to capture the same sense of freedom they felt (and still feel today) during the post-World War II era. Here is a tabletop role-play session using stick and paper.how Masmorras and DragõesTo pack it all into a computer game. “Go anywhere, do anything” is one of the most famous principles that most RPGs and popular poetry offer. The motivation behind two great studies of giant open worlds, and it may also be the reason why seemingly every open world game has RPG elements.

Miles of explorable terrain and complex skill trees do not necessarily mean that the game prioritizes player freedom of choice, nor does it mean that these choices are respected or followed. Encourage players to try to play games with strict interactivity, although this always leads to more engaging experiences. It does not mean that respecting technology and game design practices, and the promise of infinite player freedom and choice combined with the powerful dynamics of “reason for action” still seems like a distant dream. However, some studies are still doing so, pushing the boundaries of the possible, bringing that precious dream closer to reality.

Editing and Panel 2: Bannerlord

Do zero or hero (or something completely different)

Despite the name of the game, there is nothing to say about the years' confrontations or horse riding. Assembly and paperPlayers can take on the life of an unhappy adventurer, a citizen, a soldier, a ferrero, a merchant, a bounty hunter, a player, a landowner, a righteous man, a king, a slave master, or a simple beggar. True, swords and horses enter the equation from time to time, but thanks to Mr. Bandera With great simulation of social systems and open design, the player will never be forced to do anything they don't want to do (some lifestyles require more effort than others).

There is a sandbox mode that expands this freedom even further (where players can choose their identity more precisely, explore history, and figure out where to start), but it is recommended for players only. Familiar as basicThe campaign is primarily designed to help ease players into the game and give them some guidance. Also, the sandbox won't allow players to act like kings, as it's something they'll have to work with their blood, their followers, and their divine rights.

Fallout: Nova Vegas

It is possible to game, but there is more to it than just a way to play badly.

Maintaining a balance between training the player enough to feel wanted and telling the person. Great story in an open world RPG. It's the biggest challenge any studio or game developer could possibly face. And miraculously, Obsidian managed to make it with a completely broken engine in just 18 months. The main character of Fallout: Nova Vegas You're largely guided through your time in the Nevada Wasteland by clever maps and narrative design, but the player always has the option to play parts of the story, create parts of the story, or go out and do your own thing, if you want to (or are competent enough).

Not only is the player's playstyle respected, but NPCs will be named according to two simple details and will be reset based on what the player does (and how). Events unfold differently, and the context and mood of each event will vary slightly depending on the player's opinion. History New Vegas It was built in such a way that players want to see the whole world and participate in the events as they happen. So, just as two players explore everything in the game and complete all the bugs, they will always end up with two different characters in the end, and they will end up in an area in two completely different states.

Mysterious: From Steamworks and Magick Obscura

Mechanics, magicians, and all who live among them.

The film takes place in a Tolkien-style fantasy world undergoing an industrial revolution, mysterious It blends power, magic, and machines to create a unique, hybrid scenario full of possibilities. With an incredible number of backgrounds and building options during character creation along with an incredible amount of subsequent interactivity (read about group activities on game day and excursion), this high school RPG was created by developers (He falls Or educator Tim Kane among them.) who understands the potential of this genre, and despite technological limitations, achieves its stardom.

Given the massive scope and ambition of the game, there are bugs that will be encountered and the balance will be somewhat distorted (for example, if a bug “damages” the Charisma trait it will end up breaking a minigame). However, if a player has permission to build a gameplay, it is important that the player can use it to complete the game (except for the main game). A great example of mysterious Freedom is offered to the player and comes with the consequences of the split between magic and technology. The player character may master it without wanting to, but going too far in one direction will prevent them from doing two things, and this will impact the story in unexpected ways.

Baldur's Port 3

Victory in a computer-based role-playing game

At any point I wrote this article, just a game I was more able to respond to the experience of entering a game than Masmorras and Dragões On the game table: Baldur's Port 3With an absolutely absurd number of buildings, gameplay options, and perhaps most importantly, the consequences of player actions, Larian pushes the boundaries of what many thought would be possible in a computer-controlled RPG space, offering a seemingly endless number of stories. Galhouse. And in a game that looks so good B C3 With full duplication, this is not an easy task.

Your success comes from hard work built on the ethos of retaining experienced talent in a company where your editor has complete creative freedom. Larian is known for testing the boundaries of the school over an extended period of time. Divinity Series, more Baldur's Port 3 It is an accumulation of all this experiential knowledge. Larian prides himself on his ability to create such depth that it leads to specific outcomes and dialogue trees. B C3 Anyway it could be It has not been revealed for a full year after its launch.While it may be a frustrating prospect for some game developers to embrace, this design strategy used to create content that only a select few players will ever see could be the secret ingredient to RPG gold.

Without the hero there is no event; without consequences, no listening.

There is no easy conflict between any two. Oldest manuscripts Games when it comes to player freedom. Embora some fàs possam ter looks at it Skyrim For this mysterious reason, there is only one criterion: the outcome. This wasn’t necessarily the wrong direction to take for the series, but rather an informal approach to the open world to add to the facts and often to make binary decisions, making it easier for those who received it to enter without too much pressure. But it’s easier for them, for a long time we tend to agree that something is lost this way. Enquanto Adaja It's also consistent with its massive variety of character creation options and expansive world, as schools can be generic due to the limited variety in the emerging content pool.

With all this on my mind, Morwind It shows up as better in the long run. The player is never prevented from going somewhere or doing anything other than walking or walking for mudskippers and sometimes dangerous enemies. There are mainly several “break points” where the player character is explicitly directed to leave, explore, grow, and engage with the world. Finally, the realities the player meets and the decisions they make have an impact (sometimes small, but powerful). The game has been around for decades and some players may feel the need to use it. Modified to update certain aspects of Morwind (Combat in particular.) Besides perhaps needing a patch of light here and there, Sheikh's Manuscripts 3 It is best to maintain this precarious balance between freedom, purposeful decision-making and reactivity.

The former god

A reference game with a “free for all” design.

Warren Spector He once explained in an interview While he was working no Lenário is a pioneer of this type of stealth. I don't drawFrustrated that he can't complete the level stealthily, he instead wants to engage in combat. After being told that “no one wants to use stealth”, the guards can be circumvented with violence, and ficou is determined to prove them wrong one day, producing a game where the player can choose their own style. This game ultimately The former godA game funded by John Romero (from He destroys Fame) is not limited to imagination and ambition.

When players are presented to a guarded and locked gate The former godFinding the right key is never the only option. Generally, there is a way to figure out how to get to the date, or a chance to find an alternate route, or in the absence of that, to charm someone with a certain access. Alternatively, for those with little or no precision, a precise shot from a fugit launcher will work perfectly. This problem-solving approach has been adapted to almost all bugs or obstacles, a radical design approach in 1999, and remains one of the rarest narrative-driven RPGs.